I Walked Into a Client Meeting With Nothing but a Notebook. I Left With the Project.
- Danya Landis Pugliese
- 5 days ago
- 5 min read
The boardroom was exactly what you’d expect from a mid-sized tech company trying to look "established." Polished oak table. Too-bright fluorescent lights. A glass wall that looked out over a sea of standing desks and high-end monitors.
I was third on the list for the day.
Before me, two larger agencies had marched in. I saw them in the lobby: teams of three, armed with sleek aluminum cases, tablets, and enough printed pitch decks to fill a small library. They looked like they were going to war. They looked expensive. They looked prepared.
I walked in alone. I had a black linen notebook, a single purple pen, and zero work samples.
No iPad. No portfolio. No pre-designed "vision boards" for their brand.
An hour later, the CEO shook my hand. "We’ve seen a lot of pretty pictures today," he said. "But you’re the first person who actually asked us why we’re bothered by them."
I didn’t win that project because I was the best designer in the room (though, let’s be honest, the competition was stiff). I won it because I stopped trying to prove I was a designer and started proving I was a partner.
The Portfolio Trap
As a founder, you’ve likely been on the other side of this. You need a rebrand or a new packaging system, so you start interviewing studios.
Usually, it goes like this: the designer shows up and spends 45 minutes talking about themselves. They show you their greatest hits. They explain why a certain typeface won an award in 2022. They talk about their "process" in buzzwords that sound like they were generated by a marketing bot.
It’s impressive, sure. But it’s also entirely one-sided.
When a designer leads with their portfolio, they are making the meeting about them. They are saying, "Look at what I can do. Don’t you want a version of this for yourself?"
The problem? You don't want a version of someone else's success. You want a solution to your specific, painful, late-night-worrying business problem.

Listening as a Competitive Advantage
In a world obsessed with "showing your work," silence is a superpower.
That meeting was a turning point for how I view brand strategy. I realized that the more I talked, the less I learned. And the less I learned, the more generic the final design would inevitably be.
When you walk into a room with nothing but a notebook, you are forced to listen. You have no slides to hide behind. You have no "mood boards" to distract from the fact that you might not actually understand the client’s customer.
By asking the right questions, I flipped the script. I wasn't there to sell a logo; I was there to diagnose a brand.
I asked things like:
"What is the one thing your customers consistently misunderstand about you?"
"If we didn't change the logo at all, but fixed your messaging, would your sales still go up?"
"Who are you afraid of losing if we make this brand too modern?"
Suddenly, the CEO wasn't looking at my "style." He was looking at his own business through a new lens. That is the moment a designer becomes a strategist.
Why Small Businesses Need "Quiet" Branding
If you’re running a small to medium-sized business, you don't have the budget to waste on a "pretty" brand that doesn't work. You need every pixel to pull its weight.
Large agencies often suffer from "The Big Reveal" syndrome. They go away for six weeks, build a massive deck in a vacuum, and then try to sell it to you with enough bells and whistles to distract you from the fact that it doesn't solve your core issue.
At Black Rabbit Creative, we take a different approach. We call it Meaningful Minimalism. It’s not just about the aesthetic: though our love for high-contrast black, white, and Deep Violet (#5B3FD6) is non-negotiable: it’s about the intentionality behind every choice.
We use Poppins for our typography because it’s clean, modern, and keeps the focus on the message. We use a single pop of purple because a brand should have one clear, undeniable focal point, not a rainbow of confusion.
The "Notebook Strategy" works because it mirrors this philosophy: strip away the noise until only the truth remains.

How to Vet Your Next Branding Partner: Three Insights
If you’re currently looking for a design partner, don’t just look at their "Work" page. Look at how they handle your first call. Here are three key takeaways for vetting a partner who actually gives a damn about your business.
1. The 70/30 Rule
During your initial discovery call, who is doing the most talking? If the designer is spending 70% of the time talking about their awards, their history, and their aesthetic, run. A true partner should spend 70% of the time asking questions and 30% of the time explaining how their expertise can solve the problems you just described.
2. The "Why" Test
When a designer shows you a piece of work, ask them why they made a specific choice. If the answer is "It looked modern" or "It’s a very popular style right now," they are a stylist, not a strategist. If they say, "We chose this high-contrast palette because the client’s product needed to stand out on a crowded, dimly lit retail shelf," you’ve found a winner.
3. The Notebook Energy
Does the designer seem curious? Curiosity is the precursor to great design. If they aren’t digging into your sales process, your customer pain points, and your five-year goals, they are just going to give you a decorative shell. You need a partner who treats your brand like a puzzle to be solved, not a canvas for their own ego.
The Power of the Pivot
Back in that boardroom, I eventually did show them some work: but only after we had spent forty minutes talking. I didn't show them everything. I pulled up two specific case studies from my portfolio that directly addressed the fears the CEO had just voiced.
I didn't say, "Look at this cool logo." I said, "You mentioned you’re worried about alienating your legacy customers while attracting Gen Z. Here is how we navigated that exact tension for a client last year."
The work became the proof, not the pitch.

What to Do Next
If you feel like your brand has outgrown its current look, or if you’re launching something new and want it to land with intention, don't start by looking for a "cool logo."
Start by asking yourself the hard questions. What isn't working? Why are you being ignored? Who are you actually trying to talk to?
When you’re ready to have a conversation that starts with a notebook and ends with a strategy that actually moves the needle, get in touch. We promise to bring the purple pen: and we promise to listen first.
Design isn't just what you see. It's the clarity you feel when someone finally understands what you're trying to build.
At Black Rabbit Creative, we build brands that are felt. Intentionally, curiously, and with just enough of a violet punch to make sure nobody forgets you.
Comments